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Albert Henry Krehbiel : ウィキペディア英語版
Albert Henry Krehbiel

Albert Henry Krehbiel (November 25, 1873 - June 29, 1945), was the most decorated American painter ever at the French Academy, winning the Prix De Rome, four Gold Medals and five cash prizes. He was born in Denmark, Iowa and taught, lived and worked for many years in Chicago. Although educated as a realist in Paris, which is reflected in his neoclassical mural works, he is most famously known as an American Impressionist. Later in his career, Krehbiel experimented in a more modernist manner (a style that became known as "synchromism").〔"Albert H. Krehbiel - An Architect's Appreciation", article in Illinois Society of Architects, Monthly Bulletin; October - November 1945; Vol. 30, Nos. 4 - 5.〕〔''Krehbiel, Life and Works of an American Artist'', by Robert Guinan; 109 pp., color ill; Regnery Gateway, 1991; ISBN 0-89526-533-8 (acid-free paper) pages 27 -29.〕〔''Albert Krehbiel: An American Impressionist'' , by Kim Coventry; Sonnenschien Gallery, Lake Forest College, Lake Forest, Illinois; 1989; 11 pp., ill.〕〔(''Albert Henry Krehbiel (1873-1945): American Impressionist, Muralist and Art Educator'' By Donald T. Ryan, Jr.; Resource Library: a publication of Traditional Fine Arts Organization ) Retrieved November 4, 2009〕〔(''Allegories of Justice, The Albert H. Krehbiel Murals in the Supreme Court Building of Illinois'', cover article by Lizabeth (Betsy) Wilson; Journal of the Illinois State Historical Society, ISSN 0019-2287, Spring 1984; pp. 2 -13. ) Retrieved November 4, 2009〕
==Life and career==

Born in Denmark, Iowa, in 1873. In 1879, he moved with his family to Newton, Kansas, where his father was a prominent Mennonite layman, prosperous carriage and buggy maker, and later a co-founder of Bethel College. In the summer of 1898, Krehbiel made his way from Newton to Chicago by bicycle with his younger brother, Fred, and enrolled at The Art Institute for the fall semester. Albert Henry Krehbiel became a graduate of the Art Institute of Chicago, where, in 1902, he was granted an American Traveling Scholarship to study abroad. In 1903, he began his three years of study at the Académie Julian in Paris under history painter and muralist Jean-Paul Laurens.;〔''Krehbiel, Life and Works of an American Artist'', by Robert Guinan; 109 pp., color ill; Regnery Gateway, 1991; ISBN 0-89526-533-8 (acid-free paper)〕〔''Albert Krehbiel, Santa Fe Works'', exhibition catalogue by Catherine Whitney; Gerald Peters Gallery, Santa Fe, New Mexico; 1996; 35 pp., color ill. ; ISBN 978-0-935037-93-7.〕 Krehbiel won four gold medals at the Académie Julian (the only American ever to have done so) 〔''Krehbiel, Albert Henry, 1873-1945''. Imprint Chicago : Richard Norton Gallery, c2001. Descript 31 p. : chiefly col. ill. ; 30 cm.〕 as well as the coveted Prix de Rome.〔〔''Krehbiel, Life and Works of an American Artist'' , by Robert Guinan; 109 pp., color ill; Regnery Gateway, 1991; ISBN 0-89526-533-8 (acid-free paper).〕〔(''Albert Henry Krehbiel, 1873-1945; Early American Impressionist'', article by Rebecca F. Krehbiel (Mrs. Evans L.) in the Journal of the Illinois State Historical Society, ISSN 0019-2287, Spring 1984; pp. 14 - 20. ) Retrieved November 4, 2009〕 In 1905, he received the esteemed honor of having two of his neoclassical works selected by jury for the annual exhibition organized by the Société des Artistes Français in Paris (also known as the Paris Salon).〔''Krehbiel, Life and Works of an American Artist'' , by Robert Guinan; 109 pp., color ill; Regnery Gateway, 1991; ISBN 0-89526-533-8 (acid-free paper), p. 16; ''Albert Krehbiel: An American Impressionist'' , by Kim Coventry; Sonnenschien Gallery, Lake Forest College, Lake Forest, Illinois; 1989; 11 pp., ill.〕
Returning to the United States, Krehbiel was commissioned to design and paint the mural for the wall of the Chicago Juvenile Court in 1906.〔(Albert Krehbiel's murals at the Illinois Supreme Court Building -- The History of the Illinois Supreme Court ); (Albert Krehbiel's mural for the wall of the Chicago Juvenile Court (from black and white archive photo), 1906, Chicago, Illinois. ) Retrieved November 2, 2009〕 In 1907, he was unanimously awarded the commission in a national competition to design and paint the eleven wall and two ceiling murals for the Supreme and Appellate Court Rooms of the Illinois Supreme Court Building in Springfield, the state's capital. Begun in 1907, the final Supreme Court Building mural was completed and installed in 1911.〔("Illinois Supreme Court Building Slideshow". State of Illinois. ) Retrieved November 5, 2009〕〔("Mural Paintings of the Illinois Supreme Court" text by Carolyn Taitt, Secretary to the Marshal of the Illinois Supreme Court. State of Illinois.the Journal of the Illinois State Historical Society, ISSN 0019-2287, Spring 1984; pp. 11 - 13. ) Retrieved November 5, 2009〕 Mr. W. Carby Zimmerman, architect of the building, considered the work done by Krehbiel to be "an example of the best mural painting ever executed in the West."〔〔〔Art Across America, Two Centuries of Regional Painting, 1710-1920,Volume II; by William Gerdts; ; Abbeville Press, New York, 1990; p. 319.
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In 1918 and 1919, Krehbiel spent his summers at art colonies in Santa Monica, California, and in Santa Fe, New Mexico.〔〔''Albert Krehbiel, Santa Fe Works'', exhibition catalogue by Catherine Whitney; Gerald Peters Gallery, Santa Fe, New Mexico; 1996; 35 pp., color ill. ; ISBN 978-0-935037-93-7〕〔''Krehbiel, Life and Works of an American Artist'', by Robert Guinan; 109 pp., color ill; Regnery Gateway, 1991; ISBN 0-89526-533-8 (acid-free paper) p.19.〕 From 1920 through 1923, he spent summers exclusively in Santa Fe as an exhibiting member of the Santa Fe Art Colony. In the summers of 1922 and 1923, Krehbiel was invited by the Museum of New Mexico in Santa Fe to participate in its Visiting Artists Program and was given a studio in the prestigious Palace of the Governors next to his contemporary, Ashcan realist Robert Henri.〔Albert Krehbiel, Santa Fe Works, exhibition catalogue by Catherine Whitney; Gerald Peters Gallery, Santa Fe, New Mexico; 1996; 35 pp., color ill. ; ISBN 978-0-935037-93-7.〕
Krehbiel had associations and exhibitions with the other artists of the Santa Fe Art Colony—and the Taos Society of Artists—such as George Bellows and Gustave Baumann (exhibition in McPherson, Kansas, 1918), and Bror Julius Olsson Nordfeldt, Marsden Hartley, and Sheldon Parsons (exhibition in El Paso, Texas, 1920).〔"Fiesta Exhibition, including the Eleventh Annual Exhibit of Taos Society of Artists", section in El Palacio, Vol. XV, No. 6, September 15, 1923, pp.98-99; published by the Museum of New Mexico and the School of American Research, Santa Fe, New Mexico.〕〔Community Planning, section in El Palacio, vol. VIII, No1-2, January 31, 1920, p. 51; published by the Museum of New Mexico and the School of American Research, Santa Fe, New Mexico.〕 Other notable artists that Krehbiel exhibited with during this period include William Victor Higgins, Ernest L. Blumenschein, John French Sloan, Raymond Jonson, and Stuart Davis.〔〔
Krehbiel was a member of the faculty at the Art Institute of Chicago for 39 years and at the Armour Institute of Technology (later Illinois Institute of Technology after merging with the Lewis Institute) for 32 years. In 1926, he helped pioneer the Chicago Art Institute Summer School of Painting (later named Ox-Bow) in Saugatuck, Michigan, where he spent most of his remaining summers teaching and painting.〔 In 1934, Krehbiel opened his own summer school of art in Saugatuck called the AK Studio 〔''Krehbiel, Life and Works of an American Artist'', by Robert Guinan; 109 pp., color ill; Regnery Gateway, 1991; ISBN 0-89526-533-8 (acid-free paper) page 22.〕〔(''Albert Henry Krehbiel, 1873-1945; Early American Impressionist'', article by Rebecca F. Krehbiel (Mrs. Evans L.) in the Journal of the Illinois State Historical Society, ISSN 0019-2287, Spring 1984; page 18. ) Retrieved November 4, 2009〕 When able to break away from his students, he would capture the surrounding rolling hills and the Kalamazoo River in oil, watercolor, and pastel. He would often visit Saugatuck in winters to portray the area in its vast and billowing cover of snow.

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